drawings with the distortion of the face in general, in charcoal newspaper, black and white acrylic paint.

“I look at you, I look at you without getting tired of looking and what a cute child I see your eyes appear.”   

Gabriela Mistral

Reflection this week

Each drawing is an eternal and gloomy cry, in an infinite silence of those who no longer have a voice. Being printed on those posters so fragile that time was defoliate and burning like autumn leaves. Faces manipulated by time, scratch and shattered like oblivion itself. It is at that moment that I feel the need to make them perpetual, because somehow, we all want to stay and not in any way. Death is destiny tragic of man and why not say it: that which erases his identity, his individuality of the face of the earth and the memory of those who remain alive. From the point of view, the portrait is not only the vision of a painter for another person -the portrayed one-, but rather the identity of the person portrayed inhabiting the painting.

OBJECTIVES

This week I continued with the face modification in general
Very influenced by the cubist style that I had already experienced last year but this time only half of the face, each modification is influenced by the disappearances and many times found Dead in a horrible way, and after a long time. What makes me think about the shape of the photograph and the destiny of each one as different as seen in the photograph and looking for some way to portray the two faces of that photograph reminds me a lot of the masks that were used for funerals in rituals and ceremonies, which were often illustrative with stories and meaning as symbolic and I think it is the best way to reproduce the other half of their faces.
http://www.precolombino.cl/exposiciones/exposicion-permanente-america-precolombina-en-el-arte/mesoamerica/vitrina-mascaras-y-mascaretas/

I have also reviewed some works of Pablo Picasso and some form into distortion and use of newspapers.

I will continue working on the faces and play as many as possible. Different sizes and proportions.
http://www.brozalez.cl/brozalez/htm/trayectoria_II.htm

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